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Project MUSE – La Malasangre (review)
Though the production, by the Mexican director Alejandra Orozco, downplays the political for the personal, the many confrontations in the play strikingly display the power relationships. In a terrifying instance of dangerous games, she plays the role of Daddy’s little girl while her father decides how to punish Rafael.
Repertorio Espanol, New York City. The play, La malasangre Bad Bloodgfiselda in [End Page ] Buenos Aires in toward the end of the Dirty War—when nearly 30, citizens were kidnapped, tortured, and murdered by the military government. Built on the Johns Hopkins University Campus.
Gambaro Griselda La Malasangre | Diego Godoy –
Theatricality becomes a form of torture for Dolores, and perhaps, the audience. The play reminds us that though we cannot perfectly recapture the mood of s Argentina, bloody and battered by dictatorship, we can, in the current world, still feel Argentina’s pain as it undergoes yet another political, social, and economic crisis.
His sadistic character is captured convincingly by the attractive actor Gerardo Gudino. The tortured nature of their relationship is exemplified in the scene where Dolores provokes Rafael to hit her by repeatedly cursing him as servile.
Gambaro Griselda La Malasangre
The Padre orders Rafael’s death, and upon viewing his lifeless body, Dolores vows revenge. The father, with his bright red jacket, angular face, and slim body, takes on the grotesque hue of griselva devil.
Dolores’s father ignores this sexual assault. Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
Further adding to the disturbing nature of the scene, the father orders Fermin to dance with Rafael, to humiliate the already victimized tutor. The actors, Anilu Pardo and Gonzalo Villanueva, perform with passion and conviction, making the relationship believable, and ultimately tragic. After he does indeed strike her, she calls her father Benigno played by Mauricio Bustamente, who [End Page ] easily moves between the character’s authoritative and comedic features, making Benigno a sadistic prankster.
Forged from a partnership between malasangrre university press and a library, Project MUSE is a trusted part of the academic and tambaro community it serves.
In order for the play to work dramatically, Dolores and Rafael must have a chemistry malasange bespeaks love and hate simultaneously. The play is a brilliantly constructed chess game with characters who alternate between oppressor and oppressed.
They joke childishly with each other, with Dolores eventually sitting on her father’s lap while he bounces her on his knee. The tone of playfulness shifts abruptly to naked violence as Rafael is dragged away by the father’s lackey, Fermin Dario Tangelsona creepy, fawning fellow.
The Padre, named Benigno, alluding both to the fascist Benito Mussolini and commenting ironically to his own harmful nature, hires a hunchbacked tutor, Rafael, to instruct his spoiled and haughty daughter, Dolores. In addition, Dolores suffers in watching this decent man abused.
The scene ends in a hellish, blackish red light, foreshadowing the blood that will soon run. Gambaro’s dramaturgy is one of extremes.
They have produced a play by Griselda Gambaro, a contemporary Argentine playwright whose work is too rarely seen in the United States. On the debit side, the production often does not go far enough in its depictions of violence. The terror often overwhelms in its intensity and precision, explaining Without cookies your experience may not be seamless. The production offers many similarly vivid and tense scenes of cruelty and aggression. In contrasting scenes, Gambaro trenchantly displays the gamaro and cruelty of briselda relationships.